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    News and Articles on Kenneth Noland



    Museum to embrace 'cool' art exhibit  Sep 16, 2008
    The exhibition comprises 75 sculptures, drawings and prints that feature major works from artists such as Helen Frankenthaler and Kenneth Noland. Artists such as Conrad Marca-Relli and Norman Bluhm, are also represented. (Daily Collegian, PA)

    Color as field  Dec 29, 2007
    Greenberg included in his show the artists Helen Frankenthaler, Kenneth Noland, Morris Louis, Walter Darby Bannard, Jack Bush, Gene Davis, Friedel Dzubas, Sam Francis, Jules Olitski, Larry Poons and Frank Stella, all of whom were using broad areas of unmodulated color. He did not include Clyfford Still, Robert Motherwell, Mark Rothko, Hans Hoffman, Adolph Gottlieb and Barnett Newman as Wilkin does in this exhibition organized by the American Federation of the Arts. (Durango Herald)

    A beguiling look at abstract art  Dec 23, 2007
    The summer workshop became a pipeline to the latest developments in New York, attracting leading artists such as Barnett Newman, Kenneth Noland and Donald Judd as well as the top critic of the era, Clement Greenberg. In 1963 Greenberg went to far as to describe the artists in Saskatchewan as "New York's only competitor." Emma Lake was instrumental in the development of the Regina Five -- Ronald Bloore, Ted Godwin, Kenneth Lochhead, Arthur McKay and Doug Morton -- which Greenberg also anointed as... (Vancouver Sun)

    Read more...  Aug 25, 2007
    Kenneth Noland, Gene Davis, and Richard Diebenkorn credited their visits as a significant source of inspiration. The use of his residence was a deliberate measure by Phillips to present art in an intimate, accessible environment, one that has been continued in the museums later additions. (PNN Online)

    Art exhibits  Jun 29, 2007
    Kenneth Noland: Recent Works; and Electros: Technology ituals -- Through Sept. 2 and Sept. 9, respectively, Butler Trumbull Branch, 9350 E. Market St., Howland Township, and Butler Institute of American Art, 524 Wick Ave., Youngstown, respectively. Also Peter Seltzer: Pastels, through July 29; James Rosati (1911-1988), through Sept. 2; and The Secret Lives of Frames: One Hundred Years of Art and Artistry From the Lowry Collection, through Sept. 23, all at the main institute. (Akron Beacon Journal, OH -- Entertainment)

    An unfocused lens (Deborah K. Dietsch)  May 19, 2007
    His "Freischwimmer" series of ink-jet prints with their swooshing colors and hairlike lines ape the 1960s painterly abstractions of such color-field artists as Kenneth Noland and Jules Olitski. His cynical "Memorial for the Victims of Organized Religions," a grouping of 48 black and dark blue prints that extend around a gallery corner, recalls Maya Lin's angled 1982 Vietnam Veterans Memorial minus the names of the fallen. (Washington Times)

    Power city's power colors  Apr 21, 2007
    Mr. Reed -- like the school's major figures, such as Howard Mehring, Gene Davis, Kenneth Noland, Thomas Downing, Morris Louis and others -- concentrated on geometric shapes and vibrant colors, the skeleton of art's formal elements. Gallery director Ramon Osuna brilliantly traces Mr. Reed's 1960s evolution on the long wall that visitors first see, with paintings ranging from the artist's "Field" series at left to that of the "Discs." Mr. Osuna follows up with mounting the hard-edge geometric... (Washington Times)

    Gillespie's paintings show life and breadth  Mar 8, 2007
    In Feinberg's work, the flat, minimalist approach to color associated with painters such as Kenneth Noland hits the barn door. She paints geometric blocks or stripes of tone on old, weathered wood. (Boston Globe -- Living)

    Jules Olitski; abstract artist favored use of spray gun  Feb 13, 2007
    The idea of spatial flow was a major concept of Mr. Olitski and other avant-garde color field painters, including Helen Frankenthaler, Larry Poons, Jack Bush, and Kenneth Noland. Championed by art critic Clement Greenberg, Mr. Olitski gained popularity among the second generation of abstract expressionists. (Boston Globe)




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